Transnational architecture and urbanism: Placing starchitecture in Singapore and Chongqing

D. Ponzini
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Abstract

The period between 1990 and 2020 witnessed an increase in transnational modes of architectural and urban design, especially with reference to prominent buildings and areas. Among these, the use of famous architectural firms has spread to globalizing cities across Europe, North America, and Asia. In many cases, spectacular buildings designed by a small set of international firms (such as Frank Gehry, Jean Nouvel, Zaha Hadid, Foster+Partners) were and still are intended to alter the fate of a city, as portrayed and promoted in “Bilbao effect” narratives. Despite the clear evidence that contradicts such oversimplified rationales, attention has been largely concentrated on generalized explanations for why urban trends occur, with limited consideration given to understanding how specific projects are planned, designed, realized, and succeed or not within their contexts. By drawing on the literature and two case studies, this paper focuses on the roles that star architecture plays in the processes of developing spectacular buildings. In the conclusions, this contribution suggests future research and decision making pay greater attention to the relations between transnational projects and the local context as well as to the urban effects of such projects rather than to focus primarily on prominent characters in the urban development play and their self-interested narratives 2 .
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跨国建筑与城市主义:以新加坡和重庆为例
1990年至2020年期间,建筑和城市设计的跨国模式有所增加,特别是在著名建筑和地区方面。其中,著名建筑公司的使用已经蔓延到欧洲、北美和亚洲的全球化城市。在许多情况下,由少数国际公司(如弗兰克·盖里、让·努维尔、扎哈·哈迪德、福斯特建筑事务所)设计的壮观建筑,过去和现在都旨在改变一个城市的命运,正如“毕尔巴鄂效应”所描述和推广的那样。尽管有明确的证据与这种过度简化的理论相矛盾,但人们的注意力主要集中在对城市趋势发生的一般解释上,而对理解具体项目如何在其背景下进行规划、设计、实现以及成功与否的考虑有限。通过文献和两个案例研究,本文着重于明星建筑在发展壮观建筑的过程中所起的作用。在结论中,这一贡献表明,未来的研究和决策应更多地关注跨国项目与当地环境之间的关系,以及这些项目对城市的影响,而不是主要关注城市发展戏剧中的突出人物及其自利叙事2。
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