Katherine Mansfield and French Philosophy: A Bergsonian Reading of Maata

E. Nakano
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引用次数: 1

Abstract

For several years from 1910, the French philosopher Henri Bergson was influential and popular in the UK as well as in France. Katherine Mansfield was one of the many writers working in Britain at that time who was inspired by Bergson. This paper aims to explore how she attempted to express her interpretations of Bergson's theory. In doing so, it offers a new reading of Mansfield's uncompleted ‘novel’ Maata, which has not attracted much critical attention to date. In Maata, Mansfield represents two phases of duration which Bergson discusses, that is, continuity and heterogeneity, by describing characters who are waiting to change. Although Mansfield failed in her attempt to complete a longer work of fiction, it could be said that in Maata, she did not fail to present her Bergsonian idea of duration, which was to remain as one of the key concepts in her later stories.
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凯瑟琳·曼斯菲尔德与法国哲学:柏格森对《玛塔》的解读
从1910年开始的几年里,法国哲学家亨利·柏格森在英国和法国都很有影响力和受欢迎。凯瑟琳·曼斯菲尔德(Katherine Mansfield)是当时在英国工作的众多受柏格森启发的作家之一。本文旨在探讨她如何试图表达她对柏格森理论的解释。通过这样做,它为曼斯菲尔德未完成的“小说”马塔提供了一种新的阅读方式,迄今为止,这本小说并没有吸引多少批评的关注。在《玛塔》中,曼斯菲尔德通过描述等待改变的人物,代表了柏格森所讨论的持续时间的两个阶段,即连续性和异质性。尽管曼斯菲尔德在完成长篇小说的尝试中失败了,但可以说,在《玛塔》中,她并没有错过柏格森关于持续时间的概念,这一概念在她后来的小说中仍然是一个关键概念。
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Jeanne Dubino, ed., Virginia Woolf and the Literary Marketplace (New York: Palgrave Macmillan, 2010), 282 pp., £55 (US $84), ISBN 978 0 2301 0706 9 ‘Wasp’-ishness in Mansfield's ‘The Breidenbach Family in England’ A Note on Larkin on Mansfield Lustful Fathers and False Princes: ‘Cinderella’ and ‘Donkeyskin’ Motifs in Edith Wharton's Summer and Katherine Mansfield's Short Stories DiaryFrom ‘Isola Bella: A Writing Journal’
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