Music in Diasporic Context: The Case of Curaçao and Intra-Caribbean Migration

R. Allen
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引用次数: 5

Abstract

Curacao, one of the Dutch islands in the Caribbean, could be said to be caught between and betwixt different identities: being Curacaoan, Antillean, Caribbean, Latin American, and Dutch. In everyday life, people seem to switch between these sometimes conflicting identities in their expression of culture. Curacao as Part of the Caribbean and the African Diaspora The question of what it means for a Curacaoan to be part of the Caribbean has not received much scholarly attention. The Netherlands remains, unwittingly, the principal reference point for most people of the island. Also, Curacaoans have traditionally been raised and educated to feel superior to the rest of the Caribbean (Allen 2003, 78). This phenomenon is found in other parts of the Caribbean, too. Caribbean people still look toward their respective metropoles in Europe or North America for all kinds of matters (Kuss 2004, 110). During Carifesta X, celebrated in Guyana in 2008, Rex Nettleford protested against this aspect of the Caribbean way of life, stating instead that Caribbean life and culture are more than what "the binary syndrome of Europe suggests. It is also a matter of the mind, which cultivates the spaces that remain invalid, that is beyond the reach of oppression and oppressor. That very mind also constructs for the intellect and the imagination, a bastion of discreet identities as well as quarries of very invaluable raw material that can be used to build the bridges across cultural boundaries" (2007). (1) According to Franklin Knight, the focus on the metropole has led to a "fragmented nationalism" in the region, which is divided between Francophone, Hispanic, Anglophone, and Dutch-speaking subregions (2005; Knight in Barros de Juanita and Trotman 2005). One would expect a debunking of the cultural boundaries erected by colonialism, given the fact that a great many countries in the Caribbean are independent states; however, the opposite holds true. In this essay I propose that the concept of "diaspora" could help in transcending these cultural boundaries. The term diaspora has evolved over time. Originally, it referred to overseas minority communities residing in host countries that maintain "strong sentimental and material links with their countries of origin--their homelands" (Sheffer 1986, 3). Up to the 1960s the term was used primarily for the Jewish, Chinese, and Indian communities dispersed around the world. Later the concept of the African Diaspora was introduced. Joseph Harris defined the African Diaspora as encompassing the global voluntary and involuntary dispersion of Africans throughout history, the emergence of a cultural identity abroad based on origin and social condition, and the psychological or physical return to the homeland, Africa (1993). In a more recent definition by Michael A. Gomez, the African Diaspora is described as the "movements and extensive relocations of persons of African descent, over long periods of time, resulting in the dispersal of Africans and their descendants throughout much of the world" (2005, 1). Gomez's definition only deals with dispersion; the criteria of homeland orientation and boundary maintenance are deemphasized (Brubaker 2005, 5-6). Brubaker (2005) and Cohen (2008) argue that the term diaspora has in recent times been bandied about in both popular and scholarly discourses and therefore seems to be slowly losing its meaning. Rogers Brubaker speaks of the "'diaspora' diaspora" in an article with that title and ascertains that the term itself has become dispersed in semantic, conceptual, and disciplinary space and has been used for a variety of intellectual, cultural, and political agendas (2005, 1). Analytically speaking, the concept of "diaspora" has a close linkage with migration, ethnicity, and race. The diaspora is usually seen as constituted by unidirectional outward dispersals from a single point of origin (Gomez 2005, 8). Peter Wade considers such a conceptualization of diaspora to be problematic, irrespective of whether the point of origin is geographical, cultural, or racial (2008, 2). …
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散居背景下的音乐:库拉帕拉索和加勒比内部移民的案例
库拉索岛是位于加勒比海的荷属岛屿之一,可以说是夹在不同身份之间:库拉索岛、安的列斯岛、加勒比海、拉丁美洲和荷兰。在日常生活中,人们似乎在表达文化时在这些有时相互冲突的身份之间切换。库拉索岛作为加勒比地区的一部分和非洲侨民库拉索岛作为加勒比地区的一部分意味着什么,这个问题并没有得到太多的学术关注。在不知不觉中,荷兰仍然是该岛大多数人的主要参照点。此外,库拉索岛人在传统上被培养和教育为比加勒比海其他地区的人优越(Allen 2003,78)。这种现象在加勒比海的其他地区也有发现。加勒比海地区的人们在各种各样的事情上仍然期待着他们各自在欧洲或北美的大都市(Kuss 2004,110)。在2008年圭亚那举办的Carifesta X期间,Rex Nettleford抗议加勒比海生活方式的这一方面,他说加勒比海的生活和文化并不像“欧洲的二元综合症”那样。这也是一个心灵的问题,它培育了那些仍然无效的空间,那些超出了压迫和压迫者的范围。这种思想也为智力和想象力构建了一个谨慎的身份堡垒,以及非常宝贵的原材料的采石场,这些原材料可以用来建立跨越文化边界的桥梁。”(1)根据富兰克林·奈特(Franklin Knight)的说法,对大都市的关注导致了该地区“支离破碎的民族主义”,该地区分为法语区、西班牙语区、英语区和荷兰语区(2005;骑士Barros de Juanita and Trotman 2005)。鉴于加勒比地区许多国家都是独立国家这一事实,人们会期望它揭穿殖民主义所建立的文化界限;然而,事实恰恰相反。在本文中,我提出“散居”的概念可以帮助超越这些文化界限。随着时间的推移,“散居”一词也在不断演变。最初,它指的是居住在东道国的海外少数民族社区,这些社区“与他们的原籍国——他们的家园保持着强烈的情感和物质联系”(Sheffer 1986, 3)。直到20世纪60年代,这个词主要用于分散在世界各地的犹太人、中国人和印度人社区。后来又引入了非洲侨民的概念。约瑟夫·哈里斯(Joseph Harris)将非洲侨民定义为包括非洲人在历史上自愿和非自愿的全球分散,基于起源和社会条件的海外文化身份的出现,以及心理或身体上返回祖国非洲(1993)。在Michael a . Gomez最近的定义中,非洲侨民被描述为“非洲人后裔的运动和广泛的重新安置,在很长一段时间内,导致非洲人及其后代分散到世界大部分地区”(2005,1)。Gomez的定义只涉及分散;国土定位和边界维持的标准被淡化(Brubaker 2005,5 -6)。Brubaker(2005)和Cohen(2008)认为,“散居”一词近年来在大众和学术话语中广为流传,因此似乎正在慢慢失去其意义。罗杰斯·布鲁贝克(Rogers Brubaker)在一篇题为“散居”的文章中谈到了“散居”,并确定该术语本身已经在语义、概念和学科空间中变得分散,并已被用于各种知识、文化和政治议程(2005,1)。从分析上讲,“散居”的概念与移民、民族和种族有着密切的联系。散居通常被认为是由单一起源点的单向向外扩散构成的(Gomez 2005,8)。Peter Wade认为,无论起源点是地理的、文化的还是种族的,散居的这种概念都是有问题的(2008,2). ...
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