{"title":"Transgenero Performance","authors":"Dora Arreola","doi":"10.5622/ILLINOIS/9780252042423.003.0010","DOIUrl":null,"url":null,"abstract":"Validating the practice of art for the empowerment of female identity and contesting borders of gender and sexual identities, in this chapter, the author describes the collaborative process of Mujeres en Ritual Danza-Teatro, a cross-border, all-women dance-theatre company, which she founded in 1999 in Tijuana, Mexico. Rooted in ritual and contemporary techniques of physical theatre, the work of Mujeres en Ritual explores the limits of gender, taboo sexuality, and culture in the border region. It examines the exploitation of women’s bodies as an extension of U.S.-Mexico relations and political economy. Through a community-based process with women on both sides of the border, the company experiments with gender transgression and transformation to arrive at transgenero (“transgender” and “trans-genre”) performance.","PeriodicalId":401228,"journal":{"name":"Building Womanist Coalitions","volume":"13 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Building Womanist Coalitions","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5622/ILLINOIS/9780252042423.003.0010","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Validating the practice of art for the empowerment of female identity and contesting borders of gender and sexual identities, in this chapter, the author describes the collaborative process of Mujeres en Ritual Danza-Teatro, a cross-border, all-women dance-theatre company, which she founded in 1999 in Tijuana, Mexico. Rooted in ritual and contemporary techniques of physical theatre, the work of Mujeres en Ritual explores the limits of gender, taboo sexuality, and culture in the border region. It examines the exploitation of women’s bodies as an extension of U.S.-Mexico relations and political economy. Through a community-based process with women on both sides of the border, the company experiments with gender transgression and transformation to arrive at transgenero (“transgender” and “trans-genre”) performance.
在这一章中,作者验证了艺术实践对女性身份的赋权和对性别和性身份边界的争论,并描述了Mujeres en Ritual Danza-Teatro的合作过程,这是一个跨国界的全女性舞蹈剧院公司,她于1999年在墨西哥提华纳成立。Mujeres en ritual的作品植根于仪式和当代肢体戏剧的技术,探讨了边境地区的性别限制、禁忌性行为和文化。它考察了作为美墨关系和政治经济延伸的对女性身体的剥削。通过一个以社区为基础的过程,在边界两边的女性中,公司尝试性别越界和转变,以达到跨性别(“跨性别”和“跨类型”)的表现。