Abstract Expressions of Affect

A. D. Rooij, J. Broekens, Maarten H. Lamers
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引用次数: 20

Abstract

What form should happiness take? And how is disgust shaped? This research investigates how synthetic affective expressions can be designed with minimal reference to the human body. The authors propose that the recognition and attribution of affect expression can be triggered by appropriately presenting the bare essentials used in the mental processes that mediate the recognition and attribution of affect. The novelty of the proposed approach lies in the fact that it is based on mental processes involved in the recognition of affect, independent of the configuration of the human body and face. The approach is grounded in (a) research on the role of abstraction in perception, (b) the elementary processes and features relevant to visual emotion recognition and emotion attribution, and (c) how such features can be used (and combined) to generate a synthetic emotion expression. To further develop the argument for this approach they present a pilot study that shows the feasibility of combining affective features independently of the human configuration by using abstraction to create consistent emotional attributions. Finally, the authors discuss the potential implications of their approach for the design of affective robots. The developed design approach promises a maximization of freedom to integrate intuitively understandable affective expressions with other morphological design factors a technology may require, providing synthetic affective expressions that suit the inherently artificial and applied nature of affective technology.
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情感的抽象表达
幸福应该采取什么形式?厌恶是如何形成的?这项研究探讨了如何在最小程度上参考人体的情况下设计合成情感表达。作者提出,情感表达的识别和归因可以通过适当呈现调解情感识别和归因的心理过程中使用的基本要素来触发。该方法的新颖之处在于,它基于与情感识别相关的心理过程,与人体和面部的结构无关。该方法基于(a)对抽象在感知中的作用的研究,(b)与视觉情感识别和情感归因相关的基本过程和特征,以及(c)如何使用(和组合)这些特征来生成合成的情感表达。为了进一步发展这种方法的论点,他们提出了一项初步研究,该研究表明,通过使用抽象来创建一致的情感归因,将情感特征独立于人类配置相结合是可行的。最后,作者讨论了他们的方法对情感机器人设计的潜在影响。所开发的设计方法保证了最大限度的自由,将直观可理解的情感表达与技术可能需要的其他形态设计因素结合起来,提供适合情感技术固有的人工和应用性质的综合情感表达。
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