{"title":"Temporality and embodiment: experiencing medieval art through its liturgy and music","authors":"B. Pentcheva","doi":"10.1484/j.ham.5.118043","DOIUrl":null,"url":null,"abstract":"This article presents the results of the interdisciplinary project Icons of Sound (2008-present) at Stanford University, revealing the role of music in the study of sacred space, which has pushed t...","PeriodicalId":330908,"journal":{"name":"Hortus Artium Medievalium","volume":"65 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Hortus Artium Medievalium","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1484/j.ham.5.118043","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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Abstract
This article presents the results of the interdisciplinary project Icons of Sound (2008-present) at Stanford University, revealing the role of music in the study of sacred space, which has pushed t...
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