Gender and the Japanese puppet theatre

Abstract

The manifestation of gender in the Japanese puppet theatre is also a study of men who depict male and female roles. The visual sociologist must take into consideration the intermeshing and communication of voice (tayu), with music (shamisen player) and puppeteers on stage in the dramaturgy of roles and their enactment. The researcher explores aspects of front and backstage as we learn about male and female role making and taking. It could be argued that women are fictionalized, idealized and subject to stylization, while men are allowed to be more free in their depiction of emotional variation. At the same time there is a long tradition of gender interpretation which contains sexual ambiguities and varied meaning levels. This research addresses the masked and unmasked aspects of the Bunraku theatre and the ways that maleness and femaleness can be visually and verbally conceived.