{"title":"Marginalia","authors":"J. Ciardi","doi":"10.1177/0039320721992255","DOIUrl":null,"url":null,"abstract":"Musical tone, mood, pitch, rhythm, meter, major or minor key all directly affect worshipers’ involvement. A printout hymn text could not even begin to describe all the factors and feelings experienced by the accompanying music. In a deeply percipient overture, Jennifer Wakeling proposes “a general theological symbolic structure of textless music in Christian worship” because “when textless music is performed as a stand-alone act in Christian worship, it possesses the capacity to function as a symbol through which Christian meaning can be generated at experiential, reflective, and transformative levels.”","PeriodicalId":375371,"journal":{"name":"Studia%20Liturgica","volume":"77 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studia%20Liturgica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/0039320721992255","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Musical tone, mood, pitch, rhythm, meter, major or minor key all directly affect worshipers’ involvement. A printout hymn text could not even begin to describe all the factors and feelings experienced by the accompanying music. In a deeply percipient overture, Jennifer Wakeling proposes “a general theological symbolic structure of textless music in Christian worship” because “when textless music is performed as a stand-alone act in Christian worship, it possesses the capacity to function as a symbol through which Christian meaning can be generated at experiential, reflective, and transformative levels.”