Imaging the Subjective

Edward A. Vessel, G. Starr
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Abstract

Aesthetic experiences can be deeply personal. Given this subjectivity, how can cognitive neuroscience characterize the neural mechanisms supporting intense aesthetic experiences? Using functional magnetic resonance imaging, Vessel, Starr, and Rubin measured brain responses as observers viewed a diverse set of artworks and rated how aesthetically “moving” they found each artwork. Although individual observers expressed highly divergent aesthetic tastes, imaging results identified several regions consistently more engaged by moving artworks, including nodes of the default-mode network (DMN), a set of brain regions implicated in internally directed mentation. This work increased interest in the DMN and the role of internally directed thought in aesthetic experiences and helped to shift the focus of inquiry from single regions to network interactions. A result of close interaction between humanists and neuroscientists, the paper under discussion captured more of the richness of aesthetic experiences than was common in neuroimaging experiments. The authors hope that this legacy continues to inform future work.
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想象主观
审美体验可以是非常个人化的。鉴于这种主观性,认知神经科学如何描述支持强烈审美体验的神经机制?Vessel、Starr和Rubin利用功能性磁共振成像技术,测量了观察者在观看不同艺术作品时的大脑反应,并对每件艺术作品的美学“感人”程度进行了评分。尽管个体观察者表现出高度不同的审美品味,但成像结果确定了几个区域始终与移动艺术品更密切相关,包括默认模式网络(DMN)的节点,这是一组与内部定向心理有关的大脑区域。这项工作增加了对DMN的兴趣,以及内在指导思想在审美体验中的作用,并有助于将探究的重点从单一区域转移到网络互动上。人文主义者和神经科学家密切互动的结果是,讨论中的论文比在神经成像实验中常见的更丰富地捕获了审美体验。作者希望这一遗产继续为未来的工作提供信息。
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