{"title":"Works by Afghan Classical Poet ‘Abd al-Hamid Momand: Stylometric Results","authors":"E. Pisciurnikova, A. Sela","doi":"10.31250/1238-5018-2021-27-2-63-68","DOIUrl":null,"url":null,"abstract":"‘Abd al Hamid Momand (d. ca. 1732), a greatest Afghan classical poet at the turn of the 17th and 18th centuries, was the author of Pashto poetry. He created a unique individual style, which was different from that of his predecessors and greatly influenced subsequent Afghan Pashto poetry. However, because of the complexity and eloquence of his style, his work has been understudied inside and outside Afghanistan. The authorship of a set of ghazals by Hamid is questioned by the authors of this article, with some forty works defined as controversial. Methods of digital stylometry are applied to determine the authorship of these ghazals. As a result of this experiment, the question is clarified as to whether Hamid's controversial ghazals are indeed authentic.","PeriodicalId":236935,"journal":{"name":"Manuscripta Orientalia. International Journal for Oriental Manuscript Research","volume":"21 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Manuscripta Orientalia. International Journal for Oriental Manuscript Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31250/1238-5018-2021-27-2-63-68","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
‘Abd al Hamid Momand (d. ca. 1732), a greatest Afghan classical poet at the turn of the 17th and 18th centuries, was the author of Pashto poetry. He created a unique individual style, which was different from that of his predecessors and greatly influenced subsequent Afghan Pashto poetry. However, because of the complexity and eloquence of his style, his work has been understudied inside and outside Afghanistan. The authorship of a set of ghazals by Hamid is questioned by the authors of this article, with some forty works defined as controversial. Methods of digital stylometry are applied to determine the authorship of these ghazals. As a result of this experiment, the question is clarified as to whether Hamid's controversial ghazals are indeed authentic.
Abd al Hamid Momand(约生于1732年)是17、18世纪之交最伟大的阿富汗古典诗人,也是普什图语诗歌的作者。他创造了一种独特的个人风格,这与他的前辈不同,并极大地影响了后来的阿富汗普什图诗歌。然而,由于他风格的复杂性和雄辩性,他的作品在阿富汗国内外都没有得到充分的研究。这篇文章的作者质疑哈米德的一套ghazals的作者身份,其中大约有40部作品被定义为有争议的。采用数字文体学的方法来确定这些格扎尔的作者身份。作为这个实验的结果,这个问题被澄清了,即哈米德有争议的ghazals是否确实是真实的。