Christian Schesaeus and Heinrich Porsius

Nikolas Thurn
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Abstract

Neo-Latin poetry of the 16th century is generally open to each of its regional, vernaculare literatures. The paper illustrates this fact by two epic poems: Christian Schesaeus' Ruinae Pannonicae and Heinrich Porius' Iter Byzantinum. It argues that they cannot fully be understood without considering their relationship to the Hungarian poems of Sebastian Tinodi and the German tradition of "Newe Zeyttungen".
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16世纪的新拉丁诗歌一般都是对当地的方言文学开放的。本文通过两首史诗来说明这一事实:克里斯蒂安·舍赛厄斯的《毁灭》和海因里希·波利乌斯的《拜占庭》。它认为,如果不考虑它们与塞巴斯蒂安·蒂诺迪(Sebastian Tinodi)的匈牙利诗歌和德国传统“Newe Zeyttungen”的关系,就不能充分理解它们。
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