Virtual production in The Lion King (2019): formal and stylistics presentation

Sergei Glotov
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Abstract

Disney’s The Lion King (2019), directed by Jon Favreau, was produced using virtual production technologies such as filming within a virtual space. While the virtual production of The Lion King (2019) has been described in journalistic articles, as well as in a few academic papers, there was hardly any discussion on the impact that the technology had on the film itself. Using the neoformalist film analysis, this study critically examines how the virtual production of The Lion King (2019) influences its formal and stylistic presentation.
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《狮子王》(2019)的虚拟制作:形式与文体呈现
乔恩·费儒导演的迪士尼电影《狮子王》(2019)是利用虚拟空间拍摄等虚拟制作技术制作的。虽然新闻文章和一些学术论文都描述了《狮子王》(2019)的虚拟制作,但几乎没有讨论这项技术对电影本身的影响。利用新形式主义电影分析,本研究批判性地考察了《狮子王》(2019)的虚拟制作如何影响其形式和风格呈现。
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