{"title":"Thrilling Opera: Conflicts of the Mind and the Media in Kasper Holten’s Juan","authors":"Axel Englund","doi":"10.1163/9789004401310_015","DOIUrl":null,"url":null,"abstract":"The present paper takes a look at the relation between opera and film through the lens of Danish director Kasper Holten’s movie debut Juan (2010), a 90-minute screen adaptation of Don Giovanni. Tri ...","PeriodicalId":318963,"journal":{"name":"Music, Narrative and the Moving Image","volume":"99 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Music, Narrative and the Moving Image","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/9789004401310_015","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The present paper takes a look at the relation between opera and film through the lens of Danish director Kasper Holten’s movie debut Juan (2010), a 90-minute screen adaptation of Don Giovanni. Tri ...
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