To Attain the Text. But Which Text?

Cristina A. López, A. Martin
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Abstract

Raymond Bellour’s 1975 essay ‘The Unattainable Text’ has, in recent years, enjoyed new life as a founding text of the loose, global movement devoted to the making and theorizing of audiovisual essays. Where the film-text was once unattainable to scholars and artists, now we can get our hands on it thanks to the various technological waves that were once only a distant dream. However, there are challenges in Bellour’s text that are conveniently overlooked in its optimistic interpretation; in particular, the multiple meanings attached to the word text itself. Attaining this ‘text’ is not a straightforward procedure of downloading and re-editing digital files. What more is at stake that we need to make explicit today in discussing the audiovisual essay?
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达到文本。但是哪一篇呢?
近年来,Raymond Bellour 1975年的文章《The unable Text》作为致力于视听散文制作和理论化的松散全球运动的奠基文本,获得了新的生命。对于学者和艺术家来说,电影文本曾经是遥不可及的,而现在,由于各种各样的技术浪潮,我们可以得到它,而这曾经只是一个遥远的梦想。然而,在贝鲁尔的文本中有一些挑战,在其乐观的解释中很容易被忽视;尤其是文本这个词本身的多重含义。获得这种“文本”并不是下载和重新编辑数字文件的简单过程。我们今天在讨论视听论文时还需要明确哪些利害关系?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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Frontmatter 4. ‘Every love story is a ghost story’ : The Spectral Network of Laurie Anderson’s Heart of a Dog (2015) Acknowledgments 2. To Attain the Text. But Which Text? 7. Rethinking the Human, Rethinking the Essay Film : The Ecocritical Work of The Pearl Button
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