Singing Our Songs: Celebrating Australian Music Theatre repertoire

Australian Voice Pub Date : 1900-01-01 DOI:10.56307/bxzp3343
P. Wilson
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Abstract

Although live theatrical performances combining music, spoken dialogue, songs, acting and dance have existed since ancient times, modern Western musical theatre (colloquially, “musicals”) emerged in the 19th century. There is an increasing interest in analysing, understanding and researching American musicals. British and European music theatre is also gathering a stronger profile academically. However, it is less well-known that Australia has a large and richly varied music theatre history. Singing teachers, vocal coaches and singers working in music theatre constantly seek to expand repertoire, especially solo material suitable for use in auditions. Lack of research attention and a dearth of readily available published scores have resulted in few performances of solo songs from the growing canon of Australian music theatre. A serious investigation, interrogating suitability and availability of the scores of Australian music theatre works, is long overdue. This paper seeks, in some small way, to commence the process.
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唱我们的歌:庆祝澳大利亚音乐剧院的曲目
虽然结合音乐、口语、歌曲、表演和舞蹈的现场戏剧表演自古以来就存在,但现代西方音乐剧(通俗地说,“音乐剧”)在19世纪才出现。人们对分析、理解和研究美国音乐剧的兴趣越来越大。英国和欧洲的音乐剧在学术上也越来越受关注。然而,鲜为人知的是,澳大利亚有着丰富多彩的音乐剧历史。在音乐剧院工作的歌唱教师、声乐教练和歌手不断寻求扩大曲目,特别是适合在试镜中使用的独奏材料。由于缺乏研究关注和缺乏现成的出版乐谱,导致澳大利亚音乐剧院中越来越多的独唱歌曲的表演很少。一项严肃的调查,质疑澳大利亚音乐戏剧作品的适用性和可用性,早就应该进行了。本文试图以某种微小的方式开始这一过程。
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