Marvell and Manuscript Culture

P. Davis
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引用次数: 1

Abstract

This chapter explores the significances of the medium of manuscript for Marvell. It uncovers links between his self-formation and conduct as a scribal poet, and a set of questions and dilemmas long recognized as definitive in his work, those surrounding integrity and retreat. In Marvell’s imaginary, the wish to ‘circumscribe’ oneself in a private or transcendent world was always, in some measure, a scribal ideal or fantasy. To assess Marvell’s relations with ‘manuscript culture’, then, is not merely to document his involvements with particular scribal communities, or the varying extent of the scribal publication of his verse at different points in his career, but to plot those aspects of his practice against his lifelong preoccupation with privacy as an object of desire.
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奇迹与手稿文化
本章探讨手稿媒介对马维尔的意义。它揭示了他作为一名抄写诗人的自我形成和行为之间的联系,以及长期以来被认为是他作品中决定性的一系列问题和困境,这些问题和困境围绕着正直和退缩。在马维尔的想象中,把自己“限定”在一个私人或超越的世界里的愿望,在某种程度上,总是一种抄写的理想或幻想。评估马维尔与“手稿文化”的关系,那么,不仅仅是记录他与特定抄写社区的关系,或者在他职业生涯的不同阶段,他的诗歌的抄写出版的不同程度,而是将他的实践的这些方面与他一生对隐私的关注作为欲望的对象进行对比。
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‘Upon Appleton House’ Marvell and Lyrics of Undifference Marvell and His Adversaries, 1672–1678 Marvell and Waller Marvell and Elegy
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