{"title":"THE CONCEPT OF THE IMAGE OF AN ARTIST IN V. VYNNYCHENKO’S OLAF STEFENZON AND D. H. LAWRENCE’S SONS AND LOVERS: TYPOLOGICAL ASPECT","authors":"S. Nisevych","doi":"10.32838/2663-6069/2019.4-1/38","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":142490,"journal":{"name":"Scientific notes of Taurida National V.I. Vernadsky University, series Philology. Social Communications","volume":"104 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Scientific notes of Taurida National V.I. Vernadsky University, series Philology. Social Communications","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.32838/2663-6069/2019.4-1/38","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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