S. Rebecca Martin. The Art of Contact. Comparative Approaches to Greek and Phoenician Art.

Lieve Donnellan
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Abstract

Two cartoons in a much-cited handbook on archaeological theory depict the practitioners of the discipline in 1988 and again, in 1998. The first cartoon on the discipline in 1988, shows a ferocious fight going on between representatives of different theoretical approaches. Situated at the periphery are, on the side, confused members of the public, and, on the other side, turned with his back to the rest of the world, a bearded pipe-smoking Classical Archaeologist, browsing a ‘monumental’ publication while seated on another pile of Classical Archaeology books. The next cartoon shows the discipline ten years later, in 1998. The fight at the core has dissolved and made place for stimulating parallel debates between factions in which members of the public participate. Untroubled and still seated on his pile of books, is the same bearded pipe-smoking Classical Archaeologist.
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丽贝卡·马丁。接触的艺术。希腊和腓尼基艺术的比较方法。
一本经常被引用的考古理论手册中的两幅漫画描绘了1988年和1998年这门学科的实践者。1988年,第一部关于该学科的漫画展示了不同理论方法代表之间的激烈斗争。而在另一边,一个满脸胡须,抽着烟斗的古典考古学家,背对着世界,坐在另一堆古典考古学书籍上,浏览着一本“不朽”的出版物。下一幅漫画展示了十年后的1998年。核心的斗争已经消失,取而代之的是激发公众参与的派系之间的平行辩论。还是那个留着胡子抽着烟斗的古典考古学家,他没有烦恼,仍然坐在他那堆书上。
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