School Art Education: Mourning the Past and Opening a Future

Dennis Atkinson
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引用次数: 32

Abstract

This article begins with a brief summary of the findings of a recent research project that surveyed the content of the art curriculum in a selection of English secondary schools. The research findings suggest a particular construction of pedagogised subjects and objects rooted in ideas of technical ability and skill underpinned by a transmission model of teaching and learning. Drawing upon psychoanalytic and social theory reasons for passionate attachments to such curriculum identities are proposed, when in the wider world of art practice such identities were abandoned long ago. Working with the notion of the subordination of teaching to learning and the difficulties of initiating curriculum practices within increasingly complex social contexts, the article argues for learning through art to be viewed as a productive practice of meaning-making within the life-worlds of students. The term, ‘encounters of learning’ is employed to sketch a pedagogical quest in which an ethics of learning remains faithful to the truth of the learning event for the student.
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学校美术教育:缅怀过去,开创未来
本文首先简要总结了最近一项研究项目的结果,该项目调查了一些英国中学的艺术课程内容。研究结果表明,受教育的主体和客体的特殊结构植根于技术能力和技能的观念,并以教学和学习的传播模型为基础。在精神分析和社会理论的基础上,提出了对这种课程身份的热情依恋的原因,而在更广阔的艺术实践世界中,这种身份早就被抛弃了。考虑到教与学的从属关系,以及在日益复杂的社会背景下启动课程实践的困难,本文认为,通过艺术学习应被视为在学生的生活世界中创造意义的一种富有成效的实践。“学习的相遇”一词被用来描述一种教学探索,在这种探索中,学习的伦理始终忠于学生学习事件的真相。
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