Why a Child Needs a Critical Eye, and Why the Art Classroom is Central in Developing it

Linda Knight
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引用次数: 14

Abstract

It is a common acceptance that contemporary schoolchildren live in a world that is intensely visual and commercially motivated, where what is imagined and what is experienced intermingle. Because of this, contemporary education should encourage a child to make reference to, and connection with their ‘out-of-school’ life. The core critical underpinnings of curriculum-based arts appreciation and theory hinge on educators and students taking a historical look at the ways artists have engaged with, and made comment upon, their contemporary societies. My article uses this premise to argue for the need to persist with pushing for critique of/through the visual, that it be delivered as an active process via the arts classroom rather than as visual literacy, here regarded as a more passive process for interpreting and understanding visual material. The article asserts that visual arts lessons are best placed to provide fully students with such critique because they help students to develop a ‘critical eye’, an interpretive lens often used by artists to view, analyse and independently navigate and respond to contemporary society.
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为什么孩子需要批判的眼光,为什么艺术课堂是培养它的中心
人们普遍认为,当代学童生活在一个强烈的视觉和商业驱动的世界,在这个世界里,想象和经历交织在一起。正因为如此,当代教育应该鼓励孩子参考和联系他们的“校外”生活。以课程为基础的艺术欣赏和理论的核心批判性基础取决于教育者和学生对艺术家参与和评论当代社会的方式进行历史观察。我的文章使用这个前提来论证坚持通过视觉来推动批判的必要性,将其作为一种通过艺术课堂的主动过程而不是视觉素养,在这里被视为一种更被动的解释和理解视觉材料的过程。这篇文章断言,视觉艺术课程最适合为学生提供这样的批评,因为它们帮助学生培养“批判的眼睛”,这是艺术家经常使用的一种解释性的镜头,用于观察、分析、独立导航和回应当代社会。
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