Interdisciplinary Research: Practising the In-Between

G. Wall
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引用次数: 3

Abstract

This article will demonstrate that practice-led photographic research offers an example of dialogical encounter. Through recourse to an outline of my own practice and the experience of completing a practice-led doctoral thesis, the article will account for photographic practice and interdisciplinary research in terms of dialogism. This will demonstrate that visual research is a productive nexus: it does not simply concern itself with the products of creative practice, but is a generative space itself. The article will also discuss interdisciplinarity from a personal perspective on practice-led research, which, over time, has developed into an interdisciplinary mode of working. The radical notion of the dialogical self will be considered with specific reference to interdisciplinarity and practice-led research. The dialogical encounter will also be considered in relation to transformative learning encounters and what is at play in learning through practice, an encounter which places its protagonists at risk. However, far from being a negative state of affairs, this interstitial space in which the researcher/learner/teacher is lost and found is in fact a highly productive place in which to be.
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跨学科研究:实践中间
本文将展示实践主导的摄影研究提供了一个对话遭遇的例子。通过对自己实践的概述和完成以实践为主导的博士论文的经历,文章将从对话的角度来阐述摄影实践和跨学科研究。这将证明视觉研究是一种生产关系:它不仅仅关注创造性实践的产品,而是一个生成空间本身。本文还将从个人角度讨论跨学科的实践主导研究,随着时间的推移,它已经发展成为一种跨学科的工作模式。对话自我的激进概念将与跨学科和实践主导的研究的具体参考一起考虑。还将考虑对话遭遇与变革性学习遭遇的关系,以及在通过实践学习中起作用的因素,这种遭遇将其主角置于危险之中。然而,这绝不是一种消极的状态,这种研究者/学习者/教师迷失和被发现的间隙空间实际上是一个非常富有成效的地方。
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