The Nineteenth-Century Artist-Teacher: A Case Study of George Wallis and the Creation of a New Identity.

G. J. Daichendt
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引用次数: 13

Abstract

‘Artist-teacher’ is a conceptually rich term in the field of art and design education used to describe the professionally distinct roles of artist and teacher. George Wallis (1811–91), a nineteenth-century artist and teacher, the subject of this article, first used the term ‘artist-teacher’ to describe himself and his theories of art education. To better understand this new term, the researcher organised the diverse aspects of Wallis's life from 1811 to 1845 as a network of enterprises to track the streams of thinking that contributed to this professional statement. Through comparison, ordering and sequencing the various enterprises, a deeper and reflective understanding of Wallis's teaching developed. In fact, the network of enterprises displays the growth of Wallis's thought as a slow and evolving process, eventually highlighting the turbulent situation that provoked Wallis to defend his theories and practices when he conjured the new term.
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19世纪的艺术家教师:乔治·沃利斯的个案研究和新身份的创造。
“艺术家-教师”是艺术和设计教育领域的一个概念丰富的术语,用于描述艺术家和教师在专业上的不同角色。乔治·沃利斯(George Wallis, 1811-91)是19世纪的艺术家和教师,也是本文的主题,他首次使用“艺术家-教师”一词来描述自己和他的艺术教育理论。为了更好地理解这个新术语,研究人员将沃利斯从1811年到1845年生活的各个方面作为一个企业网络组织起来,以追踪促成这一职业陈述的思维流。通过对各种企业的比较、排序和排序,对沃利斯的教学有了更深层次的反思。事实上,企业网络显示出沃利斯思想的成长是一个缓慢而不断演变的过程,最终突显出沃利斯在创造这个新名词时为自己的理论和实践辩护的动荡局面。
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