{"title":"Bart Talks Back: The Politics and Poetics of Participatory Culture","authors":"M. Fink","doi":"10.5117/9789462988316_ch01","DOIUrl":null,"url":null,"abstract":"This chapter traces the concept of participatory media culture as it has\n emerged from the field of cultural studies and evolved through the work\n of John Fiske and Henry Jenkins. Building on Fiske’s thinking, Jenkins’s\n scholarship on media fandom has fundamentally revised cultural studies’\n traditional neo-Marxist perspective of (sub-)cultural resistance versus an\n assumed dominant ideology. In order to outline a theoretical framework\n for this study, the chapter reconsiders the concept of participatory culture\n and specifies its political as well as its poetic particularities. In addition,\n I discuss popular culture’s participatory character in relation to Fiske’s\n notion of popular cultural capital and what I call “popular semiosis.”","PeriodicalId":147065,"journal":{"name":"Understanding The Simpsons","volume":"57 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-10-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Understanding The Simpsons","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5117/9789462988316_ch01","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This chapter traces the concept of participatory media culture as it has
emerged from the field of cultural studies and evolved through the work
of John Fiske and Henry Jenkins. Building on Fiske’s thinking, Jenkins’s
scholarship on media fandom has fundamentally revised cultural studies’
traditional neo-Marxist perspective of (sub-)cultural resistance versus an
assumed dominant ideology. In order to outline a theoretical framework
for this study, the chapter reconsiders the concept of participatory culture
and specifies its political as well as its poetic particularities. In addition,
I discuss popular culture’s participatory character in relation to Fiske’s
notion of popular cultural capital and what I call “popular semiosis.”