Bart Talks Back: The Politics and Poetics of Participatory Culture

M. Fink
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Abstract

This chapter traces the concept of participatory media culture as it has emerged from the field of cultural studies and evolved through the work of John Fiske and Henry Jenkins. Building on Fiske’s thinking, Jenkins’s scholarship on media fandom has fundamentally revised cultural studies’ traditional neo-Marxist perspective of (sub-)cultural resistance versus an assumed dominant ideology. In order to outline a theoretical framework for this study, the chapter reconsiders the concept of participatory culture and specifies its political as well as its poetic particularities. In addition, I discuss popular culture’s participatory character in relation to Fiske’s notion of popular cultural capital and what I call “popular semiosis.”
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巴特回话:参与式文化的政治与诗学
本章追溯了参与式媒体文化的概念,因为它是从文化研究领域出现的,并通过约翰·菲斯克和亨利·詹金斯的工作发展而来。在菲斯克思想的基础上,詹金斯对媒体狂热的研究从根本上修正了文化研究中传统的新马克思主义观点,即(亚文化)抵抗与假定的主导意识形态的对抗。为了勾勒出本研究的理论框架,本章重新审视了参与性文化的概念,并明确了其政治和诗歌的特殊性。此外,我还讨论了流行文化的参与性与菲斯克的流行文化资本概念以及我称之为“流行符号学”的关系。
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3. More than Just a Cartoon: Meta-Television Culture and the Age of Irony 6. Echoes of Springfield: The Simpsons in Remix Culture Preface to the AUP Edition 4. High Fives on Prime Time: Representing Popular Culture Index
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