Writing when Young: Bart Moeyaert as a Young Adult Author

V. Joosen
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引用次数: 1

Abstract

Duet met valse noten (1983) started as a diary when Bart Moeyaert was twelve years old. After it was disclosed by an older brother, Moeyaert rewrote it during his teenage years as a novel about first love. This article studies the genesis and early reception of Moeyaert’s novel to reflect on young authors who fictionalize real-life experiences and desires. On the one hand, they are credited for being experts on youth and said to have a particular appeal to young audiences for that reason. On the other hand, when texts by young authors are published, they are often edited and mediated by adult professionals. For some scholars, such adult intervention compromises the authenticity of the young author’s voice, while others argue that having your work revised is an inherent part of being published. The genesis of Duet met valse noten displays a complex interaction involving several actors, including young voices. The deletion of controversial passages (a toilet scene, the longing for cigarettes and sexual scenes) illustrates this complexity: the decision to adapt them was only in part governed by adults, and while the young Moeyaert was dissatisfied with some revisions, they also contributed to his aesthetics as a poetic rather than explicit writer.
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《年轻时的写作:年轻成人作家巴特·莫耶特
《二重唱遇见圆舞曲》(1983)是巴特·莫耶特12岁时写的日记。在被一个哥哥披露后,莫耶特在十几岁的时候把它重写成了一部关于初恋的小说。本文通过研究莫耶特小说的起源和早期接受,来反思那些将现实生活经历和欲望虚构化的年轻作家。一方面,他们被认为是年轻人方面的专家,因此对年轻观众有特别的吸引力。另一方面,当年轻作者的文本出版时,它们往往由成年专业人员进行编辑和调解。对于一些学者来说,这种成人干预损害了年轻作者声音的真实性,而另一些人则认为,修改你的作品是出版的固有部分。《二人转》的起源表现了包括年轻声音在内的几位演员的复杂互动。删去有争议的段落(如厕所场景、对香烟的渴望和性场景)说明了这种复杂性:改编它们的决定只是部分由成年人决定的,虽然年轻的莫耶特对一些修改不满意,但这些修改也有助于他作为一个诗意而非直率的作家的美学。
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