{"title":"Hellenistic and Roman Military Epitaphs on Stone and on Papyrus","authors":"S. Barbantani","doi":"10.1093/oso/9780198836827.003.0010","DOIUrl":null,"url":null,"abstract":"Chapter 10 studies Hellenistic and Roman military epitaphs and addresses a number of interconnected issues: the unpopularity of epitaphs for individual soldiers in the Greek Anthology (only a dozen of such epigrams are present, leaving side fictitious pieces for literary or historical figures); the near absence of inscribed epitaphs in literary sources, despite the fact that they are often of good literary quality; and the question of their authorship: there is no evidence that any epigrammatist known from the Greek Anthology also acted as a professional writer of military epitaphs, as Simonides did. Epitaphs for common soldiers were usually commissioned to professional poets, most of whom now remain anonymous; in some cases the deceased, especially when he presents himself as a veteran belonging to the local elite, may have had his say on the contents and form of his future epitaph.","PeriodicalId":296664,"journal":{"name":"Greek Epigram from the Hellenistic to the Early Byzantine Era","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Greek Epigram from the Hellenistic to the Early Byzantine Era","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780198836827.003.0010","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
Chapter 10 studies Hellenistic and Roman military epitaphs and addresses a number of interconnected issues: the unpopularity of epitaphs for individual soldiers in the Greek Anthology (only a dozen of such epigrams are present, leaving side fictitious pieces for literary or historical figures); the near absence of inscribed epitaphs in literary sources, despite the fact that they are often of good literary quality; and the question of their authorship: there is no evidence that any epigrammatist known from the Greek Anthology also acted as a professional writer of military epitaphs, as Simonides did. Epitaphs for common soldiers were usually commissioned to professional poets, most of whom now remain anonymous; in some cases the deceased, especially when he presents himself as a veteran belonging to the local elite, may have had his say on the contents and form of his future epitaph.