The Perception of The Widow in Stand-up Comedy Mega Syalshabillah

L. Sihombing, Adithiya Wiradinatha Saputra
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引用次数: 1

Abstract

This article discusses the perception of widows in the stand-up comedy presented by Mega Syalshabillah. Stand-up comedy is a comedy performance art performed by one performer or who is familiarly called a comic. In her performances, Mega Syalshabillah always uses a theme close to the life of a widow. The depiction she did was a form of answering the negative perception that existed in the public's mind about a widow. In this study, the author will examine how the perception of widows in stand-up comedy delivered by Mega Syalshabillah. Researchers use data sourced from YouTube shows, and this is because the YouTube platform is very close and dominantly used as a means of finding information/watching entertainment by the public. The process for selecting YouTube views is based on the most significant number of views. In practice, the author uses the theory of perception proposed by J. Cohen. The theory of perception that the researcher used aims to see the views and perspectives of a widow due to divorce. Personal branding theory is also used in this study as a supporting theory, and it aims to answer how a comedian promotes himself so that the wider community knows it. The findings obtained from this analysis are that people always have a negative perception of a widow due to divorce; the community first generalizes the bad things about widow status.
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单口相声中寡妇的形象
这篇文章讨论了寡妇的看法,在单口相声提出了Mega Syalshabillah。单口喜剧是一种喜剧表演艺术,由一个表演者或通常被称为喜剧演员表演。在她的表演中,Mega Syalshabillah总是使用一个接近寡妇生活的主题。她所做的描绘是一种回答存在于公众心目中对寡妇的负面看法的形式。在这项研究中,作者将研究如何寡妇的看法在单口相声由Mega Syalshabillah交付。研究人员使用来自YouTube节目的数据,这是因为YouTube平台非常接近,并且主要被公众用作查找信息/观看娱乐的手段。选择YouTube观看次数的过程是基于最显著的观看次数。在实践中,作者采用了J. Cohen的感知理论。研究者使用的感知理论旨在看到离婚寡妇的观点和观点。个人品牌理论在本研究中也被用作支持理论,它旨在回答喜剧演员如何宣传自己,以便更广泛的社区知道它。通过分析得出的结论是,人们对离婚寡妇的看法总是消极的;社区首先概括了寡妇身份的不好的事情。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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