The Image of a «Beaten Horse» as a Metaphor for the Suffering of the Humble and Innocent. Comparison of Pascoli, Dostoevsky and Nekrasov

A. Nocera
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Abstract

This article is intended to deepen the figure of the wounded horse as a symbol of universal suffering. The steps, Crime and Punishment of Fyodor Dostoevsky are considered, in which the protagonist Raskolnikov sees in a dream a farmer who wounds a small horse to death. This part of the novel refers to the poem by Nekrasov "before the Shummer", which Dostoevsky quotes in the novel. Through the networks of symbolic references Dostoevsky carries the poetry of the social Nekrasov into a metaphysical dimension, in which the suffering of a horse becomes a metaphor for the suffering of innocent and unavenged children, a theme that Ivan Karamazov encounters in the novel the brothers Karamazov. In the third case, in the poem "La cavallina storna" by the Italian poet Giovanni Pascoli, the horse is a silent witness to the pain of the father's death, the suffering that puts everything, animals, people, things.
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一匹“被打败的马”的形象隐喻着卑微和无辜的苦难。帕斯科利、陀思妥耶夫斯基和涅克拉索夫之比较
这篇文章旨在加深这匹受伤的马作为普遍苦难的象征的形象。考虑到陀思妥耶夫斯基的《罪与罚》中的步骤,主人公拉斯柯尔尼科夫在梦中看到一个农民把一匹小马打伤致死。小说的这一部分指的是涅克拉索夫的诗《夏至之前》,陀思妥耶夫斯基在小说中引用了这首诗。陀思妥耶夫斯基通过象征参考的网络将涅克拉索夫的社会诗歌带入了一个形而上的维度,其中一匹马的痛苦成为了无辜和未报仇的孩子的痛苦的隐喻,这是伊万·卡拉马佐夫在小说《卡拉马佐夫兄弟》中遇到的一个主题。在第三种情况下,在意大利诗人乔瓦尼·帕斯科利的诗“La cavallina storna”中,马是父亲死亡痛苦的无声见证,这种痛苦使一切,动物,人,事物。
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