The narrator as a demythologizer: Peter Shaffer’s The Royal Hunt of the Sun

Zeinab A. Hussein
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Abstract

This paper posits that Martin Ruiz, the narrator of Peter Shaffer’s drama The Royal Hunt of the Sun , serves as a catalyst for demythologization. The paper first offers a brief account of the concept of demythologization, coined by German philosopher Rudolf Bultmann, and heavily influenced by the writings of fellow German philosopher Martin Heidegger. Bultmann’s two suggested phases of demythologization, namely, negative and positive demythologization are discussed in order to shed light on the role played by the narrator as a demythologizer of events. The narrator is dramatized as two distinct characters, Old Martin and Young Martin, each of whom represents a different perspective than the other, from a different temporal vantage point. Old Martin is the one who engages the audience in deconstructing the play's events and characters, while Young Martin goes through the events themselves, unaware of what the future holds. This elicits the collective engagement of the audience, even if unconsciously.
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叙述者作为一个去神话学家:彼得·谢弗的《皇家狩猎太阳》
本文认为,彼得·谢弗的戏剧《皇家狩猎太阳》的叙述者马丁·鲁伊斯起到了去神话化的催化剂作用。本文首先简要介绍了德国哲学家鲁道夫·布尔特曼(Rudolf Bultmann)提出的“去神话化”(demythologization)概念,该概念深受德国哲学家马丁·海德格尔(Martin Heidegger)著作的影响。本文讨论了Bultmann提出的去神话化的两个阶段,即消极和积极的去神话化,以阐明叙述者作为事件的去神话化者所扮演的角色。叙述者被戏剧化地塑造成两个截然不同的人物,老马丁和小马丁,每个人都代表着不同的视角,站在不同的时间点。老马丁引导观众解构剧中的事件和人物,而小马丁自己经历这些事件,不知道未来会发生什么。这引起了观众的集体参与,即使是无意识的。
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