The Aesthetic and the Poietic Elements of Information Design

Anna-Lena Carlsson
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引用次数: 3

Abstract

In this paper I address two types of perspectives on the aesthetic that are of relevance for a discussion of contemporary information design. Firstly, the ’aesthetic’ understood as aesthetic perception of beautiful form. Secondly, the ’aesthetic’ recognized as the poietic activity, i.e. the production of an object, in which the recipient also takes part. These perspectives are discussed, in brief, in relation to questions of form and content, and I argue that aesthetic elements in some contemporary information designs cannot be understood as aesthetic perception of beautiful form. The aesthetic is still present, but as poietic, creative, elements. Finally, I discuss the poietic activity in the light of McLaughlin’s Heideggerian view, that the passing on of information is never neutral.
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信息设计的审美与诗意要素
在本文中,我提出了两种与当代信息设计讨论相关的美学观点。首先,将“审美”理解为对美的形式的审美感知。其次,“审美”被认为是一种诗学活动,即对客体的生产,而接受者也参与其中。简要地说,这些观点与形式和内容的问题有关,我认为,一些当代信息设计中的美学元素不能被理解为对美丽形式的审美感知。美学仍然存在,但作为诗意的,创造性的,元素。最后,我从麦克劳克林的海德格尔观点出发讨论了诗歌活动,即信息的传递从来都不是中立的。
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