{"title":"Jürgen Blume: Psalm 30 (2014)","authors":"Sa Park","doi":"10.5937/newso2157073p","DOIUrl":null,"url":null,"abstract":"This article deals with Psalm 30 for four-part choir and organ (2014) by the German composer Jürgen Blume. It explores the musical elements that are used in the composition in order to examine the style of the composer. Since Blume's composition is not based on tonal harmonic function, this article uses set theory (prime form and the interval-class vector) in order to examine pitch organization and sonorities. Because Blume chose the genre sacred vocal work (Geistliches Konzert) for his composition, this article compares the form of Blume's composition with one of Heinrich Schütz's sacred vocal works, O süßer Jesu Christ, SWV 405.","PeriodicalId":315139,"journal":{"name":"New Sound","volume":"33 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"New Sound","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5937/newso2157073p","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This article deals with Psalm 30 for four-part choir and organ (2014) by the German composer Jürgen Blume. It explores the musical elements that are used in the composition in order to examine the style of the composer. Since Blume's composition is not based on tonal harmonic function, this article uses set theory (prime form and the interval-class vector) in order to examine pitch organization and sonorities. Because Blume chose the genre sacred vocal work (Geistliches Konzert) for his composition, this article compares the form of Blume's composition with one of Heinrich Schütz's sacred vocal works, O süßer Jesu Christ, SWV 405.
本文讨论了德国作曲家约尔根·布卢姆(j rgen Blume)为四部分合唱团和管风琴(2014)创作的诗篇30。它探讨了在作曲中使用的音乐元素，以检查作曲家的风格。由于Blume的作曲不是基于调性和声函数，因此本文使用集合理论(素数形式和音程类向量)来检查音高组织和音度。由于布卢姆选择了神圣声乐作品(Geistliches Konzert)作为他的创作体裁，本文将布卢姆的作品形式与海因里希·施茨的神圣声乐作品《O s ßer Jesu Christ, SWV 405》进行比较。
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