A study on floral motifs of fruit carving: Analysis on Sukor Rahim’s works

S. N. Apandi, Hana Hapiz, Farrah Atikah Shaari, S. Sukri, A. J. Nordiana, Hanisa Hassan, S. Nurulahda
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Abstract

This study aims to scrutinise the aesthetic elements of fruit carvings made by Sukor Rahim during a renowned fruit carving competition, which he was crowned Flying Chef Malaysia title by the organiser. The analysis adopted the aesthetics elements principles of carving motifs approach, which was introduced in Malay Aesthetics by Ali. [1]. Three of the six principles are used to analyse the aesthetic elements of the carvings. Qualitative methods are employed to further the study, which was using (1) archival method through analysis of photo documentation of Sukor Rahim’s works and next was (2) probing the carvings using Malay Aesthetics approach to measure the aesthetic elements of the selected works. Results showed that Sukor Rahim’s works carry overarching aesthetics finesse and layered with intricate aesthetic elements which requires connoisseurship of a carving expert, thus validate Rahim’s achievement in the culinary world.
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水果雕刻中的花卉图案研究——苏科尔·拉希姆作品分析
这项研究的目的是仔细检查由Sukor Rahim在一个著名的水果雕刻比赛中制作的水果雕刻的美学元素,他被主办方加冕为马来西亚飞行厨师。分析采用阿里在《马来美学》中提出的雕刻母题的美学要素原理。[1]. 六个原则中的三个用于分析雕刻的美学元素。在进一步的研究中,我们采用了定性的方法,即(1)通过对Sukor Rahim作品的照片文献进行分析,使用档案法;(2)使用马来美学方法对雕刻进行探索,以测量所选作品的美学元素。结果表明,Sukor Rahim的作品具有总体美学技巧和复杂的美学元素,这需要雕刻专家的鉴赏力,从而验证了Rahim在烹饪界的成就。
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