Artists Shaping Policies Through Higher Art Education. How Visual Artists Develop Policies that Affect their Lives, Practices, and Careers

Sarah Scarsbrook
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Abstract

Abstract This paper centralises visual artists in policymaking processes. It foregrounds the ways artists influence and determine the policies that affect their lives, practices, and careers through their higher art education in London (UK) art schools between 1986-2016. The uninvited and indirect processes by which artists are shaping policies using their education is captured through artsbased/informed methods developed for listening, analysing, and interpreting alongside grounded theory methodology. The practitionerled approach is key to noticing and raising the subtle agitations in the actions and inactions that underscore artists’ role as policy progenitors. Artists’ relationships with professional development and their experiences of structureless pedagogies, which are aligned to artistic myth are foregrounded. Their acceptances, rejections, and reframing of their fine art curricula is where their influence in shaping policy sits.
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艺术家通过高等艺术教育塑造政策。视觉艺术家如何制定影响他们生活、实践和职业的政策
本文集中讨论了视觉艺术家在政策制定过程中的作用。它展望了艺术家在1986年至2016年期间在伦敦(英国)艺术学校接受高等艺术教育时影响和决定影响他们生活、实践和职业的政策的方式。艺术家利用他们的教育塑造政策的不请自来和间接的过程是通过基于艺术/知情的方法来捕捉的,这些方法是为了倾听、分析和解释而开发的,同时也是基于理论的方法。实践者主导的方法是注意和提高行动和不作为中微妙的骚动的关键,这些骚动强调了艺术家作为政策先驱的角色。艺术家与专业发展的关系以及他们与艺术神话相一致的无结构教学法的经历被展望。他们对美术课程的接受、拒绝和重构是他们对政策形成的影响所在。
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