Blaga Și Cioran - Tragedia Culturilor Mici

Alexandra Oltean
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Abstract

Abstract This paper aims to explain the affinities and differences of vision between Lucian Blaga and Emil Cioran on the phenomenon of Romanian historical evolution and national conscience. The two main works analyzed, The Mioritic Space and The Transfiguration of Romania, are in a passionate dialog, complementing each other in a conceptual and philosophical manner. The influence of Spengler’s philosophy is fervent in the works of the two authors, but it is subject to a strong resemantization process in terms of the dynamics between large and small cultures. The place of Romanian culture and history will be presented empathically pozitive by Lucian Blaga, who will use will use it as a foundation for the picturesque theory of the stylistic array. On the other hand, Emil Cioran will condemn the psychological deficiencies of Romanian culture, incapable of creating history.
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摘要本文旨在阐释卢西恩·布拉加与埃米尔·乔兰在罗马尼亚历史演变与民族良知问题上的相似之处与不同之处。被分析的两部主要作品,《米洛里特空间》和《罗马尼亚变形》,是一场充满激情的对话,以一种概念和哲学的方式相互补充。斯宾格勒哲学的影响在两位作家的作品中是热烈的,但就大文化与小文化之间的动态而言,它受制于一个强烈的相似过程。罗马尼亚文化和历史的地方将由Lucian Blaga以移情的方式呈现,他将使用它作为风格阵列的风景如画理论的基础。另一方面,Emil Cioran将谴责罗马尼亚文化的心理缺陷,无法创造历史。
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