{"title":"Brancusi’s ‘Sculpture for the Blind’","authors":"E. Grazioli","doi":"10.2307/j.ctv12sdvn4.12","DOIUrl":null,"url":null,"abstract":"One of the lesser-known works by Brancusi, Sculpture for the Blind is\n actually a key work, paradigmatic of the artist’s entire output. Perfectly\n oval in shape, it is the endpoint of Brancusi’s trajectory towards abstraction,\n which leads from the head to the egg as a symbol of origin. But,\n destined for the “blind”, on the one hand it displaces fruition from sight\n to touch, highlighting the importance of this modality also for other\n works; on the other hand it indicates the importance of “blinding” for\n understanding art; finally it denounces in its own way the blindness of\n so many self-styled art users. The essay reconstructs the history of the\n sculpture, its interpretations and its further implications.","PeriodicalId":220682,"journal":{"name":"Bodies of Stone in the Media, Visual Culture and the Arts","volume":"111 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Bodies of Stone in the Media, Visual Culture and the Arts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctv12sdvn4.12","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
One of the lesser-known works by Brancusi, Sculpture for the Blind is
actually a key work, paradigmatic of the artist’s entire output. Perfectly
oval in shape, it is the endpoint of Brancusi’s trajectory towards abstraction,
which leads from the head to the egg as a symbol of origin. But,
destined for the “blind”, on the one hand it displaces fruition from sight
to touch, highlighting the importance of this modality also for other
works; on the other hand it indicates the importance of “blinding” for
understanding art; finally it denounces in its own way the blindness of
so many self-styled art users. The essay reconstructs the history of the
sculpture, its interpretations and its further implications.