Racial depictions in visual culture during World War One

Christian Kofoed Hansen, Gustav Simonsen
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Abstract

How can we understand British depictions of the German ‘race’, if they are understood as belonging to the same racial category? We argue that an analysis of racial depictions must be based on historical and cultural understandings. We present ‘race’ as an all-encompassing, flexible historical phenomenon, that includes cultural racism. We found that cultural and biological racism overlapped, working in tandem to create a single depiction within a spectrum of culturally or biologically based racial stereotypes. We argue that racialized stereotypes were deployed in both intra-white and non-white depictions depending on the desired function of the propaganda resulting in both positive or/and negative portrayals that worked mainly in consolidating the Self and Othering the enemy – with the exception of white depictions of non-white soldiers often showcasing Othering exotic elements.
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第一次世界大战期间视觉文化中的种族描写
如果把德国“种族”理解为属于同一种族,我们又如何理解英国人对德国“种族”的描述呢?我们认为,对种族描绘的分析必须基于历史和文化的理解。我们将“种族”作为一个包罗万象的、灵活的历史现象呈现,其中包括文化种族主义。我们发现,文化种族主义和生物种族主义是重叠的,它们共同作用,在一系列基于文化或生物的种族刻板印象中创造出一种单一的描述。我们认为,种族化的刻板印象被部署在白人内部和非白人的描述中,这取决于宣传的预期功能,导致积极或/或消极的描述,主要用于巩固自我和敌人的他者——除了白人对非白人士兵的描述经常展示他者的异域元素。
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