Topical Shakespeare and the Urgency of Ambiguity

Adhaar Noor Desai
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Abstract

One way to make the Shakespeare classroom a site for social engagement and action, rather than one overly invested in historicizing or aestheticizing Renaissance literature, is letting students themselves decide what Shakespeare’s plays can offer them. Taking his inspiration from James Baldwin, Adhaar Desai describes enlisting Shakespeare as a “witness” to the full scope of human experience through exercises that reframe close reading a “risky, collaborative, and urgent exercise.” Through a process of experimental free association he calls “riffing,” he entices students to trust their instincts and the text’s volatile ambiguities. Experimental, collaborative, and empowering, its goal is to give students, not Shakespeare, authority in the classroom.
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主题莎士比亚和歧义的紧迫性
让莎士比亚课堂成为一个社会参与和行动的场所,而不是一个过度投资于历史或文艺复兴文学审美的场所,方法之一是让学生自己决定莎士比亚戏剧能给他们带来什么。从詹姆斯·鲍德温(James Baldwin)那里获得灵感,阿达哈尔·德赛(Adhaar Desai)将莎士比亚描述为通过练习将细读重新定义为“冒险、协作和紧急的练习”,从而“见证”人类经历的全部范围。通过一种他称之为“即兴”的实验性自由联想过程,他诱使学生相信自己的直觉和文本中反复无常的模糊性。实验、合作和授权,它的目标是在课堂上给予学生权威,而不是莎士比亚。
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