Reworking of a Pre‑Literary Plot in the Literary Jātaka: the Case of Haribhaṭṭa's Hastī‑Jātaka

Anastasia Fiveyskaya, Anastasia Guria
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Abstract

The article focuses on the comparison of a literary Sanskrit jataka with its possible Pali prototype. Haribhatta, who wrote another Jataka‑mala one or two centuries after Arya Sura, is generally believed to be Kalidasa's contemporary. Our research is devoted mainly to the approaches of a Sanskrit kavya poet handling a pre‑literary source story. We studied Haribhatta's tale of the elephant Bodhisattva (partly based on Pali jataka 514, Chaddanta‑jataka), focusing on his reworking of the plot and on the comparison of style of the two texts. The plot reworking was analyzed within the framework of narratology, revealing a deliberate artistic composition in the later Sanskrit text. The style of the Jataka‑mala bears semblance to Kalidasa's poetry, as well as to some other court Sanskrit literature works.
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文学Jātaka对前文学情节的改造:以Haribhaṭṭa的哈斯特Jātaka为例
本文着重对一部梵文文学作品的梵文典籍与其可能的巴利文原型进行了比较。Haribhatta在《Arya Sura》之后一两个世纪写了另一部《Jataka - mala》,一般认为他是卡利达沙的同时代人。我们的研究主要致力于梵语kavya诗人处理前文学来源故事的方法。我们研究了哈里巴塔关于象菩萨的故事(部分基于巴利文jataka 514, Chaddanta - jataka),重点是他对情节的重新设计和两种文本风格的比较。在叙事学的框架内分析了情节的修改,揭示了后期梵文文本中有意的艺术构图。Jataka - mala的风格与卡利达萨的诗歌以及其他一些宫廷梵文文学作品相似。
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