‘Bilampau’: A Heritage – Long Forgotten

M. Chitrakar
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Abstract

Unlike some other forms in Nepali Painting, an earlier form known as ‘Bilampau’ remains unknown, relatively. This sense of apathy is regardless of the fact that this genre also boasts many unique features that deserves further academic explorations and need attract deeper discussions. To highlight its importance and explain the diversities, a few select representative examples are chosen to argue. As an earliest example, two painted wood-covers of sacred manuscripts dated 12th century are proffered, how early efforts were made to make a visual story in early medieval times. This is followed by a famous visual story based on Buddhist beliefs for telling Buddhist stories: and now, how it has been reduced to an annual display or as a mere ritual. A visual story of Lord Krishna remains yet one more example. It is created and based on Hindu epic Mahabharata. But the most unique and startling example cited herein has a very unique character. It is created as a visual travel guide or a suggestive map to a prospective pilgrim or a traveler. At present, this exquisite work is in the collection of a museum abroad.
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“比兰波”:被遗忘已久的遗产
与尼泊尔绘画的其他形式不同,一种被称为“Bilampau”的早期形式相对来说仍然不为人所知。这种冷漠感忽略了一个事实,即这一流派也有许多独特之处,值得进一步的学术探索,需要引起更深入的讨论。为了突出其重要性并解释其多样性,本文选择了几个具有代表性的例子进行论证。最早的例子是,两幅绘有12世纪神圣手稿的木制封面,展示了中世纪早期人们如何努力制作视觉故事。接下来是一个著名的视觉故事,以佛教信仰为基础,讲述佛教故事;现在,它是如何沦为一年一度的展览或仅仅是一种仪式的。一个关于奎师那主的视觉故事仍然是另一个例子。它是根据印度史诗《摩诃婆罗多》创作的。但这里引用的最独特、最惊人的例子有一个非常独特的特点。它是作为一个视觉旅游指南或暗示性的地图,为未来的朝圣者或旅行者。目前,这幅精美的作品被国外一家博物馆收藏。
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