Don Draper,Teacher-as-Artist: A Diffractive Reading of Mad Men

Gabriel Huddleston, Samuel D. Rocha
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引用次数: 1

Abstract

Popular culture can be used as an apparatus of diffraction, in order to understand the complicated entanglements within both the object and in connection to other elements of society. This article posits that the television drama Mad Men is an ideal apparatus of diffraction of the role of teacher, making that assertion collaboratively between the co-authors, demonstrating how popular culture continues to diffract, even when it is “held” from different angles. This article initially reads disjointed as the authors’ work is intercut strategically but not necessarily coherently. By using popular culture as an apparatus of diffraction, the authors become implicitly implicated in a larger entanglement; in this case, between the authors, Mad Men, and education. With your reading, the entangled web is extended, and the authors hope further understanding can be gleamed.
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唐·德雷珀,《教师即艺术家:对《广告狂人》的衍射解读》
大众文化可以被用作衍射仪,以便理解对象内部以及与社会其他元素之间的复杂纠缠。这篇文章假设电视剧《广告狂人》是教师角色衍射的理想工具,并在合著者之间共同提出了这一论断,证明了流行文化如何继续衍射,即使从不同的角度“持有”。这篇文章最初读起来是不连贯的,因为作者的作品是有策略地交错在一起的,但不一定连贯。通过使用流行文化作为衍射仪器,作者隐含地卷入了一个更大的纠缠;在这种情况下,是作者、《广告狂人》和教育之间的关系。随着你的阅读,缠结的网被延展,作者希望进一步的理解能被照亮。
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