Housing and Honouring the Saints: English Medieval Architecture and the Cult of Relics

J. Maddison
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Abstract

This article considers the architecture of English medieval churches and how it was affected by its function as a setting for the cult of saints. It looks at the impression which the patrons of medieval buildings were hoping to make on the minds and spirits of those who visited them. It is not concerned so much with the functional planning issues surrounding access, security, and the management of pilgrims as it is with the symbolic content of those larger spaces within which the shrine and its immediate surroundings are contained and visually celebrated. Plans, forms, and decoration carrying specific associations with prestigious buildings in Rome are considered in relation to some early medieval buildings. The new work at Canterbury, following the fire of 1174, created a new and influential architectural language adopted by other cathedrals in which aspects of the saint could be signaled by architectural detail and decoration. The article ends with the thirteenth-century Chapel of the Nine Altars at Durham as a setting for the shrine of Cuthbert.
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居住与纪念圣徒:英国中世纪建筑与文物崇拜
本文考虑了英国中世纪教堂的建筑,以及它作为圣徒崇拜场所的功能是如何影响它的。它关注的是中世纪建筑的赞助人希望给来访者留下的思想和精神上的印象。它不太关注围绕通道、安全和朝圣者管理的功能规划问题,而是关注那些更大空间的象征性内容,在这些空间中,神社及其周围环境被包含在其中,并在视觉上得到庆祝。规划、形式和装饰带有与罗马著名建筑的特定联系,被认为与一些早期中世纪建筑有关。在1174年大火之后,坎特伯雷的新工程创造了一种新的、有影响力的建筑语言,被其他大教堂采用,在这种语言中,圣徒的各个方面可以通过建筑细节和装饰来表达。文章以13世纪达勒姆的九坛教堂作为卡斯伯特神殿的背景作为结尾。
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