{"title":"Intellectual lives, performance and persona: The making of a people’s historian","authors":"S. Scott-Brown","doi":"10.22459/ajbh.04.2020.05","DOIUrl":null,"url":null,"abstract":"The most important aspect of British historian Raphael Samuel (1934-1996) was his entire way of being a historian. Samuel, a former youth member of the Communist Party of Great Britain, is best known as a founder of the first British New Left (1956-62), the driving force behind the first History Workshop movement (1963-79), which pioneered a distinctive 'history-from-below', and as the author of Theatres of Memory (1994), an idiosyncratic exploration of the past in contemporary culture. Despite all this, he did not advance an especially ground-breaking historical argument or historiographical theory. He set his sights elsewhere, on the democratisation of history making. To achieve this end, he created a distinctive persona as a people's historian through which he projected a radical transformation of what it meant to study history. Yet posterity was both condescending and neglectful, and until recently the full …","PeriodicalId":143131,"journal":{"name":"Australian Journal of Biography and History","volume":"96 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Australian Journal of Biography and History","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.22459/ajbh.04.2020.05","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The most important aspect of British historian Raphael Samuel (1934-1996) was his entire way of being a historian. Samuel, a former youth member of the Communist Party of Great Britain, is best known as a founder of the first British New Left (1956-62), the driving force behind the first History Workshop movement (1963-79), which pioneered a distinctive 'history-from-below', and as the author of Theatres of Memory (1994), an idiosyncratic exploration of the past in contemporary culture. Despite all this, he did not advance an especially ground-breaking historical argument or historiographical theory. He set his sights elsewhere, on the democratisation of history making. To achieve this end, he created a distinctive persona as a people's historian through which he projected a radical transformation of what it meant to study history. Yet posterity was both condescending and neglectful, and until recently the full …