Teaching Women's Writing: A Case Study in Creative Praxis

R. Lipperini
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引用次数: 2

Abstract

abstract:Creative writing assignments as textual interventions and "deformances" of original texts, and as alternatives to traditional composition assignments, can strengthen students' sense of unfamiliar and marginalized subject positions encountered in the literature classroom. Entering into a long-standing debate over the value of creative writing pedagogy in the literature classroom, this article takes an in-depth look at the trials and triumphs of a semester in the classroom teaching "The Woman Question in Nineteenth-Century American Fiction" through a creative praxis. It includes a detailed review of the creative assignment prompts alongside the students' submissions. Writing creatively encouraged students to develop an intersectional and inclusive view of women's writing. Finally, creative praxis, by encouraging students to pull apart a text and rebuild it themselves, offers alternative ways of producing the same desired outcomes of traditional literary analysis: critical and astute close readings, effective use of evidence, and thoughtful and persuasive arguments.
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女性写作教学:以创新实践为例
摘要:创意写作作业作为对原文的介入和“表演”,作为传统作文作业的替代,可以强化学生在文学课堂中遇到的陌生和边缘化的主体位置感。针对文学课堂中创造性写作教学法的价值这一长期争论不休的问题,本文通过创造性实践,深入探讨了一个学期在“19世纪美国小说中的女性问题”课堂教学中的尝试与成功。它包括对学生提交的创意作业提示的详细回顾。创造性写作鼓励学生对女性写作形成交叉和包容的观点。最后,创造性实践,通过鼓励学生拆开文本并自己重建它,提供了产生与传统文学分析相同的预期结果的替代方法:批判性和敏锐的仔细阅读,有效利用证据,深思熟虑和有说服力的论点。
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