Neither Rural, Nor Urban: Incomplete Migration in Dalit Life-narratives

Sruti Manjula Devaprakash
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引用次数: 1

Abstract

Fifteenth-century saint Guru Ravidas, who belonged to the ‘untouchable’ Chamar caste, was the first to formulate an Indian version of utopia in his song ‘Begumpura’ (Omvedt 2008, 106–107). Interestingly, he does not dream of a village that is caste-free, he dreams of a city; to him, the city is the hope of a caste-free space. ‘Begumpura’ shows that the hope and dream for caste-free spaces is not a modern phenomenon; it goes back in time. The importance of modernity (unlike pre-modern times), however, is that through social rationality it promises an egalitarian space for everybody to live in (Aloysius 2009), where one can question, critique and make demands when the promise is not fulfilled. In this regard, the genre of the Dalit life-narrative is a strong critique of Indian modernity, a modernity that believes that to shut out the language of caste is to shut out caste itself (Pandian 2002).
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既非农村,也非城市:达利特生活叙事中的不完全迁移
15世纪的圣人古鲁·拉维达斯(Guru Ravidas)属于“贱民”查玛尔(Chamar)种姓,他是第一个在歌曲“Begumpura”中构想印度版乌托邦的人(Omvedt 2008, 106-107)。有趣的是,他梦到的不是一个没有种姓的村庄,而是一座城市;对他来说,这座城市是一个无种姓空间的希望。“Begumpura”表明,对无种姓空间的希望和梦想不是一个现代现象;它回到了过去。然而,现代性的重要性(与前现代时代不同)在于,通过社会理性,它承诺为每个人提供一个平等的生活空间(Aloysius 2009),当承诺没有实现时,人们可以质疑,批评和提出要求。在这方面,达利特生活叙事的流派是对印度现代性的强烈批判,这种现代性认为,将种姓语言拒之门外就是将种姓本身拒之门外(Pandian 2002)。
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