Świadectwa obecności artystycznej Imperium Osmańskiego na Węgrzech

E. Marcinkowska
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Abstract

Taking Ottoman art into consideration, attention has been being paid to the greatest cultural centres and the most noteworthy Turkish constructions, which were built on the territory of the present Republic of Turkey. Although it has been forgotten that during the Middle Ages and the Modern Period the influence of the Ottoman Empire reached much farther, artistic evidence can be found even in Central Europe. On the continent of Europe, the Ottoman borders covered the whole of the Balkans, the northern cost of The Black Sea, most of Hungary and a part of Poland. These areas constituted merely buildings in these territories, it is necessary to narrow one’s area of interests. In the face of innovativeness and the lack of sufficient references providing essential information about Ottoman works of art located in the territory of Europe, I had to choose the country which, in 2008, was going to be my research journey destination. Owing to its geographical and cultural proximity, I limited my choice to the territory of Catholic Central Europe. Specifically, I visited Hungary which was occupied for 158 years and the region of Podolia (27 years). During the Ottoman reign over these areas, the era of the greatest development of might and art of the Ottoman Empire took place (16th and 17th century). In addition to this, the subject of this article is not only connected with showing works of art resulting from the Osmanian Empire’s activities but also to try to investigate their artistic value against the constructions created in the territory of the “actual” Empire.
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考虑到奥斯曼艺术,在现在的土耳其共和国领土上建造的最伟大的文化中心和最值得注意的土耳其建筑受到了重视。尽管人们已经忘记了,在中世纪和现代时期,奥斯曼帝国的影响要远得多,但即使在中欧,也可以找到艺术证据。在欧洲大陆上,奥斯曼帝国的边界覆盖了整个巴尔干半岛、黑海北部、匈牙利的大部分地区和波兰的一部分。这些地区仅仅构成了这些领土上的建筑物,有必要缩小自己的兴趣范围。面对创新和缺乏足够的参考资料,提供有关位于欧洲领土上的奥斯曼艺术作品的基本信息,我不得不选择这个国家,在2008年,这将是我的研究之旅的目的地。由于地理和文化上的接近,我把我的选择限制在天主教中欧的领土上。具体来说,我访问了被占领158年的匈牙利和被占领27年的波多利亚地区。在奥斯曼帝国统治这些地区期间,奥斯曼帝国的力量和艺术的最大发展时代发生了(16世纪和17世纪)。除此之外,本文的主题不仅与展示奥斯曼帝国活动产生的艺术作品有关,而且还试图通过在“实际”帝国领土上创造的建筑来调查它们的艺术价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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