To be or not to be digital: Digitalization Needs and Clustering-based Profile Analysis of Theatre Artists for Scene 2.0 Pandemic Recovery Programme

Nihan Yıldırım, H. U. Ay, Yudum Kaymak
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Abstract

Due to the indefinite cancellation of the stage performances during the Covid-19 pandemic, socio-economically vulnerable artists urgently needed new sources of income. Digitization of the stage arts, especially theatre performances have been rapidly accelerated during this period. In a unique social intervention case on the civil initiatives towards the digitalization of arts through online platforms, this study aims to present a needs analysis and beneficiary profiling application by Ward’s method with Canberra Distance. The data were gathered from 172 respondents of different socio-cultural backgrounds amongst Theater Cooperative members,. The results indicate that although the magnitude of the needs varies amongst different profiles, the economic, technical, and technological constraints are the primary obstacles in the digitization process.
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数字化还是不数字化:场景2.0流行病恢复计划中戏剧艺术家的数字化需求和基于聚类的概况分析
在新冠肺炎疫情期间,由于舞台演出无限期取消,处于社会经济弱势的艺术家迫切需要新的收入来源。在此期间,舞台艺术特别是戏剧表演的数字化得到了迅速的加速。在一个独特的社会干预案例中,本研究旨在通过堪培拉距离提出沃德方法的需求分析和受益者画像应用。数据收集自172名来自不同社会文化背景的剧场合作社成员。结果表明,尽管需求的大小在不同的概况中有所不同,但经济、技术和技术限制是数字化进程中的主要障碍。
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