The Dramas of Criminal Law: Thurman Arnold’s Post-Realist Critique of Law Enforcement

Mark Fenster
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Abstract

The high legal realist period of the 1930s was not known for its criminal law scholarship, while until fairly recently, criminal law theory was not as well-developed as those fields that had faced a realist and post-realist critique. This Essay attempts to address these issues by describing in detail the criminal law scholarship of Thurman Arnold, a prominent realist whose best known academic writings were his mid-1930s monographs on the New Deal and resistance to it. Arnold’s criminal law scholarship serves as a forgotten link between the classical doctrinal work that dominated midcentury legal academic work on criminal law and the more socially- and culturally-focused scholarship of recent decades. Reconsidering Arnold’s sociological, doctrinal, and cultural analysis of criminal law, law enforcement, and the criminal trial informs our understanding of the history of criminal law scholarship, legal realism, and post-realist legal theory.
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刑法的戏剧:瑟曼·阿诺德对执法的后现实主义批判
20世纪30年代法律现实主义的高潮时期并不以其刑法学术而闻名,而直到最近,刑法理论还没有像那些面临现实主义和后现实主义批评的领域那样发达。本文试图通过详细描述瑟曼·阿诺德的刑法学术来解决这些问题。瑟曼·阿诺德是一位杰出的现实主义者,他最著名的学术著作是他在20世纪30年代中期关于新政和对新政的抵制的专著。阿诺德的刑法学术作为一个被遗忘的纽带,在古典理论工作中占主导地位的中世纪刑法法律学术工作和近几十年来更注重社会和文化的奖学金。重新审视阿诺德对刑法、执法和刑事审判的社会学、理论和文化分析,有助于我们理解刑法学术、法律现实主义和后现实主义法律理论的历史。
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