Language imagery: discursive and modus creative

N. Alefirenko
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Abstract

he phenomenon of discourse as a communicative event is key to the developing theory of linguistic image. The discursive comprehension of the communicative event which generates linguistic images is carried out through its cognitive-metaphorical interpretation. The genesis of the linguistic image is considered from the stage of the emergence of the naïve concept, that primordial framework which connects the object-sensible image with the discursive and modus concept. Its paradigm contains the cognitive and eventual component, which, being addressed to the pragmatic component of the communicative situation, generates the architectonics of the linguistic image. The idea is held that discursive and modus hypostasis of a communicatively significant event serves as a primary basis for the formation of visual outlines of the corresponding fragment of the verbalized picture of the world. This, in turn, involves the work of the so-called discursive consciousness. In line with this judgement, the ways of formation of a linguistic image are shown. The initial stimulus here is the cognitive reproduction from the annals of ethno-cultural memory of sensations and perceptions received earlier, correlated with the actual communicative event. Interpreted by the discursive consciousness in the form of an ethno-cultural concept, the object-sensual image transforms into a linguistic image. Its categorical features are established: associativity, metaphoricity, polysemy, originality, ethno-cultural conditionality, intellectual-emotional synergy of thought and feeling.
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语言意象:话语性与方式创造性
作为交际事件的话语现象是语言意象理论发展的关键。对产生语言意象的交际事件的语篇理解是通过认知隐喻解释来实现的。语言意象的起源是从naïve概念的出现阶段开始考虑的,naïve概念是连接对象感知意象与话语和模态概念的原始框架。它的范式包含认知和最终成分,这些成分针对交际情境的语用成分,产生语言形象的结构。这种观点认为,交际意义事件的话语性和模态本质是形成语言化的世界图景的相应片段的视觉轮廓的主要基础。这反过来又涉及到所谓的话语意识的工作。根据这一判断,揭示了语言形象的形成途径。在这里,最初的刺激是来自早期收到的感觉和知觉的民族文化记忆的认知再现,与实际的交际事件相关。通过话语意识以民族文化概念的形式进行阐释,物欲意象转化为语言意象。确立了其范畴特征:联想性、隐喻性、多义性、原创性、民族文化条件性、思想情感的智情协同性。
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