The Waves of Time Revisited: Glimpses of life

M. Itkonen
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Abstract

Abstract This study could perhaps be characterized as the art of walking in time, verbally, pictorially and abstractly, i.e. using words, images and thoughts. Of course, the ideal of essayism also includes a scientific dimension. Equally the aim is to make multi-level use of the idea of dialogue. At the same time, the writer is also carrying on a monologue (with himself), an aspect that is called dialogic monologue. After all, the respondent, too, is himself the questioner. Architecture and the essay are reminiscent of each other. The created building and the created word are close relatives. An essayistic study signifies a hermetic state of language. A text’s inner verbal room is constructed from a circle of ideas. Roundness means enclosure: then there is an end at the beginning and a beginning at the end. Yet space is not circumscribed and confined. The actual beginning and end are always located outside the respective verbal room. The spiral of deduction forms a linguistic wisp and whirl that begins and ends as a chronological sequence. The past points forward to the future, and the future looks back to the bygone. The deepening of ideas means passing through several verbal rooms and, during that journey, conclusions will be refined. The Waves of Time, just as the Aaltos of their time, are surges of masterfulness. Glimpses of life mean flashes of Finnishness. They are collective snapshots: excerpts from a shared national story.
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重游时光之波:一瞥生命
这项研究可以被描述为时间行走的艺术,语言,图像和抽象,即使用文字,图像和思想。当然,散文论的理想也包括科学的维度。同样的目的是使对话的思想多层次的使用。与此同时,作者也在进行(与自己)独白,这一方面被称为对话独白。毕竟,被访者自己也是提问者。建筑和散文是相互联想的。受造的建筑和受造的词语是近亲。散文学意味着语言的一种封闭状态。一篇文章的内部语言空间是由一圈思想构成的。圆形意味着封闭:那么在开始处有一个结束,在结束处有一个开始。然而,空间是没有界限和限制的。实际的开始和结束总是位于各自的言语空间之外。螺旋式的演绎形成了语言上的一缕又一缕的旋涡,以时间顺序开始和结束。过去指向未来,未来指向过去。思想的深化意味着要经过几个语言室,在这个过程中,结论将得到完善。时间的波浪,就像他们那个时代的阿尔托一样,是驾驭能力的波浪。生命的一瞥意味着芬兰人的一瞬。它们是集体的快照:一个共同的国家故事的摘录。
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