Neurophysiological Investigation of Context Modulation based on Musical Stimulus

Siddharth Mehrotra, Anuj Shukla, Dipanjan Roy
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Abstract

There are numerous studies which suggest that perhaps music is truly the language of emotions. Music seems to have an almost willful, evasive quality, defying simple explanation, and indeed requires deeper neurophysiological investigations to gain a better understanding. The current study makes an attempt in that direction to explore the effect of context on music perception. To investigate the same, we measured Galvanic Skin Responses (GSR) and self-reported emotion on 18 participants while listening to different Ragas (musical stimulus) composed of different Rasa's (emotional expression) in the different context (Neutral, Pleasant, and Unpleasant). The IAPS pictures were used to induce the emotional context in participants. Our results from this study suggest that the context can modulate emotional response in music perception but only for a shorter time scale. Interestingly, here we demonstrate by combining GSR and self-reports that this effect gradually vanishes over time and shows emotional adaptation irrespective of context. The overall findings suggest that specific context effects of music perception are transitory in nature and gets saturated on a longer time scale.
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基于音乐刺激的情境调节的神经生理学研究
有许多研究表明,也许音乐确实是情感的语言。音乐似乎有一种近乎任性、逃避的特质,无法简单解释,确实需要更深入的神经生理学研究才能获得更好的理解。本研究试图从这一角度探讨语境对音乐感知的影响。为了研究这一点,我们测量了18名参与者在不同背景下(中性、愉快和不愉快)听由不同Rasa(情绪表达)组成的不同Ragas(音乐刺激)时的皮肤电反应(GSR)和自我情绪报告。IAPS图片用于诱导被试的情绪情境。我们的研究结果表明,背景可以调节音乐感知中的情绪反应,但仅在较短的时间尺度上。有趣的是,通过结合GSR和自我报告,我们发现这种影响会随着时间的推移逐渐消失,并表现出与环境无关的情绪适应。总体研究结果表明,音乐感知的特定环境效应本质上是短暂的,并在更长的时间尺度上达到饱和。
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