Odwrócenie perspektywy. Empatyczna praktyka kolektywu Rotor

K. Siatka
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Abstract

A Reversed Perspective. The Empathetic Practice of the Rotor Collective In this study I reflect upon the project Da quassùètutta un’altra cosa (From Above It Is Something Different Altogether), executed by Rotor in 2018 in Palermo, for the Manifesta 12 European Nomadic Biennial. The Belgian collective of architects and designers attempted to recycle a site and a space in order to give it back to the inhabitants. Pizzo Sella, a picturesque slope in the vicinity of Palermo, is the location in question, where developers began erecting a housing estate in the 1980s. But the construction was never completed, and the artists turned the hollow concrete structures, which are marks of trauma today, into platform-like viewpoints, so producing a unique experience. A reversed perspective, besides offering magnificent outlooks, may contribute to reinstating the human and nature symbiosis. The success of the chosen method is a result of an empathetic research attitude to the materials found in the area. Repurposing destroyed buildings is, to me, an example of the ancient practice of appropriation referred to as spolia. Those I wish to define broadly: as secondary, or reclaimed substances that make cognition possible for a body situated in a relation with the world.
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相反的观点。在这项研究中,我反思了转子于2018年在巴勒莫为Manifesta 12欧洲游牧双年展执行的Da quassùètutta un 'altra cosa (From Above It Is Something Different totally)项目。比利时建筑师和设计师的集体试图回收场地和空间,以便将其归还给居民。披索塞拉(Pizzo Sella)是巴勒莫(Palermo)附近一个风景如画的斜坡,开发商从上世纪80年代开始在这里建造住宅区。但建筑从未完成,艺术家们将中空的混凝土结构变成了类似平台的视角,这是今天创伤的标志,因此产生了独特的体验。一个相反的观点,除了提供宏伟的前景,可能有助于恢复人与自然的共生关系。所选方法的成功是对该地区发现的材料采取移情研究态度的结果。对我来说,重新利用被摧毁的建筑是古代挪用行为的一个例子,被称为spolia。那些我想广义地定义:作为次要的,或再生的物质,使一个与世界有关系的身体有可能认识。
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